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Mein Forschungsjahr in Berlin ging im Mai 1980 zu Ende.

Stroemer started employing the term in the 1980s; Crutzen popularised it during a conference in Mexico in 2000.

Both of you have Brecht-influenced plays in your background.

Your website aptly answers the question, why this play now, but I would also like to know, why Brecht now? SM: Very much so, I agree.

The format is new and sometimes challenging, and if we continue with it, there are some adjustments we know to make.

Ich soll nicht ungeduldig werden.

MSE: I also want to ask you to what extent you found it useful to incorporate Brechtian techniques into your new plays.

As a scholar and artist with far-reaching influence in the American theater world, he worked as a critic, translator, editor, teacher, director, performer, singer, pianist, and playwright.

And Scott, do you remember what we originally were going to do? The text is a strong denunciation of late liberal capitalism, emphasising the social inequality it generates and its disastrous environmental effects.